The Hidden Monastery
Centering the Divine Dance of Body and Soulabout
If you have found your way here you may wonder, who is this Cynthia Winton-Henry?
I live along Cum Mayo, Roundhouse River, (the American River) in Fair Oaks near Sacramento on land of the Nisenan people, long colonized by white miners and settlers. I financially support present day Nisenan and recognize that I live on unceded land. I live with my husband, grown children, and granddaughter, Liddy, in a 30 home Eco-housing neighborhood where meals, labor, and some resources are shared.
Philosophy
I am a sensitive, artist, theologian, designer, writer, teacher and spiritual guide. In 1989 I co-founded InterPlay with Phil Porter, an improvisational, art-based community-building practice designed to unlock the wisdom of the body. InterPlay fundamentals creatively reinitiate people into the birthrights of their own movement, voice, story, and stillness. As a people regain basic artistry I’ve enjoyed curating InterPlay performances around the world world like the Unbelievable Beauty of Being Human.
Across Cultures
As a white woman, I am determined to counter the harm done to people across cultures in the name of whiteness. I partner with Black, Indigenous, People of Color, and marginalized guides on behalf of a more healthy, earth-centered way of life. To dignify my rage about white oppressive structures, I renounced my ordination with the Christian Church. I still honor my lineage, understanding that no body can renounce their history.
Earthwise practices
InterPlay and the Ensoulment Arts that I teach are countercultural, earth-wise practices. In my commitment to racial equity and transformation, I’ve served on the YES board to support young activists, catalyzed Waking Up White workshops and toured a workshop called Changing the Race Dance with Soyinka Rahim to share understandings and misunderstandings of socialized systemic racism. I co-developed the InterPlay Art Responder Practice to realign people to the beauty of a place after a trauma.
The Key
Finding my alignment to body, soul, dance and art is the key to my research. This can never be an individual endeavor as body, soul, dance, and art interplay in social, energetic, and even cosmic ways. Along the way my studies allowed me to receive UCLA”s President’s Fellowship to study in Sierra Leone, an M.Div at Pacific School of Religion, doctoral work in “Theology and the Arts” at the Graduate Theological Union and advanced studies in Multicultural Education at the Western Institute for Social Research. I’ve been honored to receive Pacific School of Religion’s Distinguished Alumni Award and the Center for Art, Theology and Education Arts Minister of the Year award.
Teachings
Highlights in my experience include pastoring a church, choreographing and performing with Body and Soul Dance Company, co-directing Wing It! Performance Ensemble, and teaching students at Holy Names University’s Sophia Center, Pacific School of Religion, Spiritual Directors International, Spiritual Directors of Color, University of Creation Spirituality, the National Chaplains Association, the International Expressive Arts Association, Out and Equal Workplace Advocates, the United Religions Initiative, and the Parliament of World Religions. I am blessed to have been in the presence of indigenous peoples in India, Africa, and the United States and to bear witness to teachings that transcend anything we know in the west.
My Certifications
- Administering Massage Therapy
- The Focused Energy Balance Indicator instrument of the four-movement patterns
- Andrea Issac’s somatic approach to the Enneagram, Enneamotion.
I am a self-taught folk artist. I make icons, wreaths, and shrines. Here’s a peak.
Writings
My books include Chasing the Dance of Life: A Faith Journey by Apocryphile Press, Dance: The Sacred Art: Discovering the Joy of Movement by Turner Publishing, and Move: What the Body Wants by Woodlake Press. “Grace Operatives: How Body Wisdom Saved the World” in Phenomenologies of Grace edited by Marcus Bussey by Paraclete Press. I self- publish The Self-Care Playbook for the Art of Ensoulment that accompanies the year-long course.
My holy bows go to The Tree of Life, the living wisdom of first peoples, my ancestors, the Archangel Metatron, and Jesus. My guidance includes Ruth St, Denis, Thomas Merton, Doug Adams, Phyllis Magal, Katrina Browne, Sheila Collins, Carla de Sola, Barbara Elliot, Jake Empereur, Ruth King, Robert MacAfee Brown, Connors McConville, Roberta Meyer, Soyinka Rahim, Judith Rock, Ginny Whitelaw, Flora Wuellner. and teachers at Pacific School of Religion, Berkeley Psychic Institute, friends of Lois and creators of the 12 steps, Operation Crossroads Africa, and to more friends than I can name.
